Typography
14 September 2021
Always drawn, never written
This unusual biography of book designer Helmut Salden (1910-96) shows the processes behind his lettering for dust jackets. By Jan Middendorp
Helmut Salden (1910-96) was the most productive book cover designer in the Netherlands, during the postwar era, writes Jan Middendorp.
9 July 2021
Beyond The Bell Jar
Shirley Tucker’s book cover designs, made during her long career with Faber, show a sure command of image, lettering and typography.
By Ruth Sykes
Book cover designer Shirley Tucker (b. 1930) is known for her iconic jacket for Sylvia Plath’s The Bell Jar, published by Faber & Faber in 1966. But the rest of her career is less well documented writes Ruth Sykes.
2 July 2021
Novo Typo goes off the grid
At Berlin’s A—Z gallery, Dutch designer Mark van Wageningen tests the limits of self-sufficiency with his new project Offgrid.
By Jan Middendorp
In Eye 94, four years ago, we described the unorthodox typographic research methods of Amsterdam designer Mark van Wageningen, aka Novo Typo, writes Jan Middendorp.
10 June 2021
Brazilian type bonanza
Lazy Dog Press aims to crowdfund an English-language anthology of Tupigrafia, founded in São Paulo by Claudio Rocha and Tony de Marco
Few type mags have had a lifespan of more than two decades, but the Portuguese-language Tupigrafia is one example, writes Massimo Gonzato.
6 March 2021
What now? What next?
Come to Eye’s Type Tuesday on 9 March, with Dines (Studio Blup), Malika Favre, Dafi Kühne and magCulture’s Jeremy Leslie
Next week is the first Type Tuesday of 2021, ‘What now? What next?’. We look forward to welcoming you, via Zoom, to a virtual St. Bride with the star-studded line-up of Dines (Studio Blup), Malika Favre, Dafi Kühne and magCulture’s Jeremy Leslie.
17 December 2020
Waves of popularity
Graphic Design plays a key role in the re-emergence of Britain’s much-loved coastal resorts. The seventh and final instalment of Justin Burns’s series about seaside graphic design
The tide comes in. The tide goes out. The seaside is, by its very nature, a place in constant transition, writes Justin Burns.
26 November 2020
Type Tuesday: Happy Birthday St Bride!
Some of our favourite speakers return to celebrate the 125th anniversary of St Bride Printing Library on 1 December 2020
Eye magazine started organising Type Tuesdays as a regular St Bride Library event back in 2013, and it has been a wonderful partnership: a way to bring designers together for a social occasion that is educative and fun, and an opportunity for the magazine team to keep in touch with readers and contributors, writes Eye editor John L. Walters.
5 November 2020
An Iranian vision
editorial design, neshan magazine
Despite censorship and sanctions, a bilingual magazine showcasing Iranian and Western design has flourished for two decades. By Steven Heller
The history of visual arts in Iran is divided into two historical periods of Iranian pre-Islamic and post-Islamic art, writes Steven Heller.
29 October 2020
Sea, sky, paint and pattern
Rich, decorative patterns shape our experience of the British seaside. The sixth in Justin Burns’s series on coastal graphic design
Patterns and decoration have long informed the design of seaside architecture – promenades, amusements, hotels and shops. Arcades, piers and theme parks display bunting, flags and decorative signage that create an entertaining environment, writes Justin Burns.
13 October 2020
Letterpress celebration
Italy’s Tipoteca museum commemorates its quarter century with 25 specially commissioned posters. By Simon Esterson and James Clough
Based in Cornuda in the northeast of Italy, Tipoteca is one of the finest printing museums in the world.